• 倒计时

  • 主演:珍妮·艾加特 布莱恩·马歇尔 Clare Sutcliffe 西蒙·沃德 
  • 状态:HD
  • 导演:大卫·格瑞尼
  • 类型:剧情
  • 简介:The story appears simple on the surface, but is revealed, especially after multiple viewings, as more multi-layered and textured than Cassavetes at his best. Ostensibly it concerns a 14-year old Catholic girl, Wynne (Agutter) growing up in this post-modern wasteland, who develops a crush on her much older adoptive brother (Marshall)- a crush which perversely deepens and grows into infatuation once she starts to believe he is the local sex killer. This is in itself an idea that makes you sit up and jolt, but as the narrative develops, it continues not necessarily along a linear path but in several confusing and fascinating directions: the family's history, (detailed effectively in chilling flashback during an improvised seance) is a chequered one, and has suffered at least one major relocation and upheaval in the last ten years. At the crux, however, it's the depiction of socialal changes that make I Start Counting so fascinating and elevate its language far beyond the confines of the standard horror film. The major subtext- that teenage girls were maturing more quickly than before, and developing full sexual and romantic appetites (even if in thought rather than deed) but were not possessed of enough discretion to make the right choices- was a step forward for a genre in which its young females had previously been portrayed as bimbo victims (Cover Girl Killer and The Night Caller spring to mind), but not one that all viewers would necessarily agree with. But most striking of all, and possibly the most enduring image which the viewer will take away with them, is of the masterful symbolism with which director Greene invests every shot. Every inch of the Kinch family's world- their house, their walls, their TV, Agutters underwear, bedroom furniture and toys, Sutcliffe's clothes, Marshalls van, the local Catholic church, their town centre, their record shop) - is painted a bright, scintillating white- a white which, by inference, is slowly becoming smudged and corrupted with the dirt of the outside world. White also symbolises, of course, purity and innocence (two qualities Catholic schoolgirls are supposed to hold dear), and it is into this world of innocence that the ever-present red bus (a symbol of violation and penetration), conducted by the lecherous yet similarly juvenile Simon Ward, makes regular journeys. The allegory is further expanded in one scene where Agutter believes she sees the Christ figure in church weeping blood: by the time we acknowledge it, its gone, but the seed has already been planted. Rarely in a genre production has the use of colour and background been so important or effective in creating a uniformity of mood. I Start Counting is as near-perfect an end to a decade as one could hope for, and exactly the kind of film people should be making now- which is, of course, exactly why they never will. A genre essential. by D.R. SHIMON@lounge.moviecodec.com

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精选评论

1.《倒计时》讲述的是什么故事?

知乎网友:The story appears simple on the surface, but is revealed, especially after multiple viewings, as mor

2.《倒计时》的主演有谁?

百度知道网友:主演有 珍妮·艾加特,布莱恩·马歇尔,Clare Sutcliffe,西蒙·沃德

3.《倒计时》是什么时侯播出的呢?

微博网友:如果没记错的话,应该是1969

4.手机在哪里可以看《倒计时》呢?

人人影视网友:我就是在这里看的亲:http://www.xgzpzw.com/xigua/109497.html

5.《倒计时》精彩短评

豆瓣网友:见过爱情很多种样子,有《倒计时》带来的混乱与跨越时间留下的衷心,有荷西三毛般细水长流的宠爱与柔情,有张爱玲式不堪一击的一见倾心;有一往情深的暗恋,有长厢厮守的陪伴,有无疾而终的怀念……

时光网网友:生活的下一页总是未知的,但我们仍要翻开下一页,而有一种真挚的东西是永存的,时间无法使它停止。塞纳河畔的夜色,化成极尽温柔的抚慰,是即使受伤也要自由追寻的灵魂。 “会有别人眼中的我们,那些碎片,我们曾以为瞥见的,我们的碎片,会由我们的梦来滋养,我们从来都不是相同的,每一次,我们都只是外来者,是夜旅人,是他们的想象,就像被留在房间里的旧镜子上的,那些脆弱的阴影。”

猫眼电影网:一口气看完了 我真的真的无比震撼 特别是后面 看完真的久久不能平复我的心情,因为女主的伟大,无私,高尚,善良 这已经不是一个好字能,形容的了,女主代表着那个落魄年代卑微生活的女人们的一道光芒,是勇于对抗男性枷锁和社会险恶的新势力,我真的没法用什么词来形容我现在看完的震撼了

豆瓣柏邦妮:《倒计时》是很简单的故事,但是很丰富。特别简单的故事,讲得荡气回肠。感受特别深,非常值得一看。