简介: Somewhere in the remote region, the war ends. In the midst of ruined cities and houses in the streets, in rural hamlets, everywhere where people still live, are children who have lost their homes and parents. Abandoned, hungry, and in rags, defenseless and humiliated, they wander through the world. Hunger drives them. Little streams of orphans merge into a river which rushes forward and submerges everything in its path. The children do not know any feeling; they know only the world of their enemies. They fight, steal, struggle for a mouthful of food, and violence is merely a means to get it. A gang led by Cahoun finds a refuge in an abandoned castle and encounters an old composer who has voluntarily retired into solitude from a world of hatred, treason, and crime. How can they find a common ground, how can they become mutual friends? The castle becomes their hiding place but possibly it will also be their first home which they may organize and must defend. But even for this, the price will be very high. To this simple story, the journalist, writer, poet, scriptwriter, movie director, and film theoretician Béla Balázs applied many years of experience. He and the director Géza Radványi created a work which opened a new postwar chapter in Hungarian film. Surprisingly, this film has not lost any of its impact over the years, especially on a profound philosophical level. That is to say, it is not merely a movie about war; it is not important in what location and in what period of time it takes place. It is a story outside of time about the joyless fate of children who pay dearly for the cruel war games of adults. At the time it was premiered, the movie was enthusiastically received by the critics. The main roles were taken by streetwise boys of a children's group who created their roles improvisationally in close contact with a few professional actors, and in the children's acting their own fresh experience of war's turmoil appears to be reflected. At the same time, their performance fits admirably into the mosaic of a very complex movie language. Balázs's influence revealed itself, above all, in the introductory sequences: an air raid on an amusement park, seen in a montage of dramatic situations evoking the last spasms of war, where, undoubtedly, we discern the influence of classical Soviet cinematography. Shooting, the boy's escape, the locomotive's wheels, the shadows of soldiers with submachine guns, the sound of a whistle—the images are linked together in abrupt sequences in which varying shots and expressive sharp sounds are emphasized. A perfectly planned screenplay avoided all elements of sentimentality, time-worn stereotypes of wronged children, romanticism and cheap simplification. The authors succeeded in bridging the perilous dramatic abyss of the metamorphosis of a children's community. Their telling of the story (the scene of pillaging, the assault on the castle, etc) independently introduced some neorealist elements which, at that time, were being propagated in Italy by De Sica, Rossellini, and other film artists. The rebukes of contemporary critics, who called attention to "formalism for its own sake" have been forgotten. The masterly art of cameraman Barnabás Hegyi gives vitality to the poetic images. His angle shots of the children, his composition of scenes in the castle interior, are a living document of the times, and underline the atmosphere and the characters of the protagonists. The success of the picture was also enhanced by the musical art of composer Dénes Buday who, in tense situations, inserted the theme of the Marseilaise into the movie's structure, as a motive of community unification, as an expression of friendship and the possibility of understanding. Valahol Europaban is the first significant postwar Hungarian film. It originated in a relaxed atmosphere, replete with joy and euphoria, and it includes these elements in order to demonstrate the strength of humanism, tolerance, and friendship. It represents a general condemnation of war anywhere in the world, in any form.
1.《欧洲的某个地方》讲述的是什么故事?
知乎网友: Somewhere in the remote region, the war ends. In the midst of ruined cities and houses in the stre
2.《欧洲的某个地方》的主演有谁?
百度知道网友:主演有 Artúr Somlay,Miklós Gábor,Zsuzsa Bánki
3.《欧洲的某个地方》是什么时侯播出的呢?
微博网友:如果没记错的话,应该是1948
4.手机在哪里可以看《欧洲的某个地方》呢?
人人影视网友:我就是在这里看的亲:http://www.xgzpzw.com/xigua/102589.html
5.《欧洲的某个地方》精彩短评
豆瓣网友:见过爱情很多种样子,有《欧洲的某个地方》带来的混乱与跨越时间留下的衷心,有荷西三毛般细水长流的宠爱与柔情,有张爱玲式不堪一击的一见倾心;有一往情深的暗恋,有长厢厮守的陪伴,有无疾而终的怀念……
时光网网友:生活的下一页总是未知的,但我们仍要翻开下一页,而有一种真挚的东西是永存的,时间无法使它停止。塞纳河畔的夜色,化成极尽温柔的抚慰,是即使受伤也要自由追寻的灵魂。 “会有别人眼中的我们,那些碎片,我们曾以为瞥见的,我们的碎片,会由我们的梦来滋养,我们从来都不是相同的,每一次,我们都只是外来者,是夜旅人,是他们的想象,就像被留在房间里的旧镜子上的,那些脆弱的阴影。”
猫眼电影网:一口气看完了 我真的真的无比震撼 特别是后面 看完真的久久不能平复我的心情,因为女主的伟大,无私,高尚,善良 这已经不是一个好字能,形容的了,女主代表着那个落魄年代卑微生活的女人们的一道光芒,是勇于对抗男性枷锁和社会险恶的新势力,我真的没法用什么词来形容我现在看完的震撼了
豆瓣柏邦妮:《欧洲的某个地方》是很简单的故事,但是很丰富。特别简单的故事,讲得荡气回肠。感受特别深,非常值得一看。